There’s enough pressure in life to get everything right.

Planning. Managing. Second-guessing. Trying to know what comes next.

Art can be a place to escape all of that.

I don’t plan my paintings. I follow them. I use movement, layers, looping lines, and unexpected shifts to let one decision lead to the next.

I create that way because I want the finished work to hold onto that sense of freedom and bring some of it into your space…a reminder that you don’t always have to have all the answers.

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Exhibitions & Features

Queen City Art logo
KBM Art Gallery logo

2026 Summer Juried Show

2026 Online Radiant Red Exhibition

Charlotte Studio Artist Logo

Artist Wall Space at Charlotte Studio Artists

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I have a bit of a book addiction. Opps. The scenery is beautiful!! Romance in the vines book Fair!
🖤 FRACTURED EMBER⁠ ⁠ There’s something haunting about what remains after something burns.⁠ ⁠ Not destruction — memory.⁠ ⁠ Fractured Ember feels like the echo of heat long after the flames are gone. The textures hold onto that intensity,
✨ SPIRITBORNE FROM THE ROOT⁠ ⁠ There’s a presence embedded in this piece — intentionally placed, then partially hidden.⁠ ⁠ A face emerges from the surface, not as a portrait, but as something ancient and watchful, as if it has always been
🌿 GOLD MOVING THROUGH STONE⁠ ⁠ I kept thinking about resilience while painting this.⁠ ⁠ How something precious can move through the heaviest places — not by force, but by persistence.⁠ ⁠ The gold doesn’t sit on top.⁠ It pushes through.⁠
🌅 A PLACE I REMEMBER⁠ ⁠ This painting feels like a memory I can’t quite place.⁠ ⁠ A landscape that exists somewhere between real and imagined — the kind of place you feel homesick for even if you’ve never been there.⁠ ⁠ A Place I R
🔥 Becoming Fire⁠ ⁠ This piece was born from the idea that transformation isn’t gentle.⁠ ⁠ Sometimes it’s messy.⁠ Sometimes it scorches.⁠ Sometimes it reshapes everything you thought you were.⁠ ⁠ But afterward — there’s light.
Just finished Make Art or Die Trying by Stuart Semple, and my brain feels like it went down a rabbit hole in the best way. This book isn’t about technique — it’s about permission. Permission to experiment, to question what art even
Where the Moss Breathes (16×20)⁠ ⁠ I painted this after a walk through the park, taking in the range of greens I kept noticing—soft, deep, muted, and alive in different ways. The piece came from sitting with that quiet moment and letting
Whispers Beneath the Storm (20×24)⁠ ⁠ I painted this on a stormy day, and that mood seeped into the piece. I painted with the feeling of wind and rain in mind, letting the movement guide what stayed loud and what softened underneath.⁠ ⁠ Origina
The Shape of Letting Go (20×24)⁠ ⁠ This piece developed through techniques I learned in an online course with @yourarie. While the final work looks distinctly my own, the class offered new ways to think about form, restraint, and negative space
Electric Motion (16x20) I added the neon as a nod to that unmistakable ’90s feeling—bold, a little chaotic, and hard to ignore. Paired with deeper tones, it creates a push-and-pull that mirrors how energy moves through everyday life. Wh

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